WRITER’S COMMENTARY – DAVID F. WALKER ON SHAFT: IMITATION OF LIFE #405/27/16 @ 11:21 pm EST
Source: Bleeding Cool | Categories: Dynamite | Comments (0) | E-mail Article | Add a CommentDavid F. Walker has brought one of the iconic characters of the seventies back to the spotlight with his first Shaft mini-series for Dynamite. He continues that work with the latest series, Shaft: Imitation of LIfe and we have his writer’s commentary for issue #4 that came out this week. The cover below was done by Matthew Clark and interiors byDietrich Smith.
Page 1
The first issue of Shaft: Imitation of Life started with a sequence from the original Shaft novel by Ernest Tidyman, and I wanted to make sure that this final issue of the story made some kind of passing reference to where it all started. Hence, the flashback in Panel 3. This actual scene never occurred in the book (or the movie), but I needed a way to explain how Shaft would have so much cash on hand, and it made sense (at least while I was writing it).It’s also important to note that in every issue of Shaft, his first person narration was an integral part of the story. But with this issue, it was very difficult for me. The first draft had no narration, and I struggled with what to have Shaft say, because it just felt like this issue didn’t need him blabbering on an on. But at the same time, the precedent had been set, and not have him narrate would be weird. Some of you may notice that there is less narration in this issue.
Page 2
The supporting character of Tito didn’t start out as important as he ended up being. In fact, in the original outline, he was only in the first two issues, but as the story grew and evolved, so did the character. I specifically asked Dietrich to draw a Volkswagen Beetle for this scene, because it seems like the least badass car Shaft could be driving. I find it funny, but I don’t know if anyone else will appreciate the humor.
Page 3
I loved working with Dietrich Smith on this series. He had an incredible way of bringing my scripts to like, but the thing I like best is the way he captured the little details that were very important. On this page, the single most important detail is that Tito is taking the gun from the bag. There is nothing else that the reader absolutely has to know, but they need to know this, and they need to know that Shaft doesn’t know. Dietrich made this one bit of information truly sing.
Page 4-5
In the original script, there was only dialog in the giant panel. After seeing Dietrich’s art, I felt that there were missed opportunities on this page, if I left the remaining panels silent. I struggled with what to have the characters say. I knew I wanted Tito talking to himself in Spanish. The problem was that the character is Puerto Rican, and I wanted to make sure that what I had him saying “sounded” right for someone from Puerto Rico, because not all Spanish-speaking languages say things the same way. I think (or hope) that I got it right. If it is wrong, I apologize. As for what Shaft says, I just wanted to play around with the idea that he knows this case was a bad move.
Page 6
This mini-series has an odd history. Originally, I had written a self-contained Shaft story that was supposed to be some kind of annual, but it never got published. When Dynamite asked for a second story-arc, I decided to use material from that other script, and combine it into a second story. Essentially, Shaft: Imitation of Life is a combination of a one-shot style story, that was repurposed and combined with a second story. What we are seeing here is one of the few scenes from that original one-shot that made it into this series completely unaltered. There’s actually a certain amount of symbolism on this page, mostly in the last panel, as it represents Shaft about to enter a very absurd world.
Page 7
To the best of my knowledge, this was not how porn movies were made in the 1970s. To be honest, I have tried to keep Shaft somewhat grounded in fact, and with this, my tenth issue of the character, I have ventured into a complete and total land of make believe. That’s part of why this series is called Imitation of Life.
Page 8
If you’ve been reading this story from the start, you know that Shaft was originally hired to find this kid, Mike Prosser. The case involving Mike, and the introduction of Tito, was all part of secondary story that came about when the one-shot story was expanded. The original one-shot story was nothing more than Shaft working as a film consultant. This particular scene was never in that story, because the character of Mike wasn’t in that story. I needed away to bring both of those cases together, and thanks to the sleazy world or porn…here it is.
Page 9
The character of Lou “Lollipop” Peraino is fictional. In real life, however, there was a mobster name Anthony “Big Tony” Peraino, who was a huge player in the porn industry. Big Tony was part of the Columbo crime family, and he financed the porn film Deep Throat, which changed the world of pornography. In the world of Shaft, Lollipop Peraino is the nephew of Big Tony, which is how he got into porn.
Page 10
I try to give my artists reference material for when they have to design key characters. I don’t expect them to make the characters look exactly like the reference, but it helps the artist to get an idea of what a character can look like. For Lollipop Peraino, I sent Dietrich photos of several actors, including John Saxon, Jack Palance, and Henry Silva. To me, Peraino looks like a cross between Palance and Silva.
Page 11
It’s hard to believe that originally, Tito was a throwaway character that only appeared in the first two issues. At some point, I grew attached to him, recognized that he had a lot of potential, and even came to understand that this story is as much about him as it is Shaft.
Page 12
This scene is wrong on so many levels, and I wrestled with keeping it. I knew it would offend some people. And then I thought, “Well…f*ck ‘em.” I always wanted to take this story someplace outrageous, sleazy, over-the-top, and exploitative. I wanted to evoke the balls-to-the-wall aesthetic of some of the more outrageous grindhouse films of the 1970s, and this is how I decided to do it. I love this page. I love this scene. Dietrich captured it all beautifully.
Page 13
Of all the things in this issue that I could be worried about, this is the page that concerns me the most. I worry that people will miss the fact that Shaft is reaching for his gun in the bag, and that is not there. Perhaps I should be concerned that we are implying that Shaft is about to anally assaulted with a sausage, but that doesn’t matter to me. I just want people to realize the gun is missing.
Page 14
I love how Dietrich brought the action to life on this page. As I pointed out, there is much less narration in this issue, and I knew that at some point Shaft would have to start telling his story again. The point of the narration has always been to give the reader insight into Shaft that works either in conjunction with what is on the page or, in some cases, beyond what is on the page.
Page 15
And here we are essentially where Issue #2 started. This scene is directly from the original one-shot that never got published.
Page 16
Here we see the two different cases of this story coming together, but also a bit more than just that. Once again, Shaft: Imitation of Life was originally supposed to be a self-contained one-shot. It was the story of Shaft working as a film consultant, and was meant to be absurd, over-the-top, and, quite possibly, a bit offensive. The second storyline, the one that came about when I was asked to write another series, was the missing persons case involving Mike Prosser. That story was about Shaft failing on the case, with someone else finding the person he was looking for. That story went through many changes—especially considering that Mike was originally a teenage girl, and the character of Tito didn’t exist. But things change and stories evolve, and in some cases, two stories come crashing together in more ways than one.
Page 17
I don’t do much lettering (because I’m not that good at it, and because I don’t have the time). But I love lettering Shaft, because it allows me to play with the dialog (and even the story) up until the very last moment. This page is pretty much as I wrote, except for the second panel. The dialog was slightly different, and when I saw the emotions on the characters’ face as Dietrich had drawn them, I saw a great opportunity to add just a bit more to the story.
Page 18
I absolutely love what Dietrich did with this page. In the original one-shot story, I never showed how Shaft and Rockman escaped. But when the story expanded, and Tito was brought in, I had to have some kind of action-packed ending. I also love the use of Volkswagen. Much of this story was in response to the announced Shaft film reboot, which was announced last year, and was reported to be comedic in nature. I don’t think Shaft should be done as a comedy. But if it is going to have comedic elements, it should be him killing a warehouse full of pornographers, then jumping out of a window, and landing on the hood of VW. That is comedic gold, my friends.
Page 19
This is what we call an “expository dump.” You’ve gotta wrap up a story some way. I just wanted to end on a note that held some kind of promise of more adventures with Tito. Honestly, I’d love to write a story just about him.
Page 20
Here we have not one, but two homages. The first is to the film Midnight Cowboy. The second is to Taxi Driver. In my own twisted mind, this entire story is a bizarre mash-up of Midnight Cowboy and Taxi Driver, starring John Shaft. No one else may see it, but I know that it is there.
Page 21
This page may or may not be some kind of thinly veiled commentary on the upcoming Shaft film, or it may be some kind of deeper commentary on how film portrays black masculinity, or it just may be the end of the story.
Page 22
I love this page. I really do. At the same time, I recognize that I used the character of Honee in a way that was lacking in originality or complexity, which is a sign of my shortcomings as a writer. If there is one thing about this story that I look back on with any regret, it’s the fact that I didn’t try harder to make Honee more than just a sex object. Unfortunately, sometimes you don’t see these things until after they are done, and then all you can do is work to grow as a writer, so that next time, you don’t do it again. That said, I really love this page.
'GABBY'S DOLLHOUSE' MOVIE SETS FALL 2025 THEATRICAL RELEASE04/25/24 @ 9:48 pm EST
Source: Deadline | Categories: MIsc | Comments (0) | E-mail Article | Add a Comment Universal Pictures will release DreamWorks Animation‘s Gabby’s Dollhouse: The Movie on September 26, 2025, the studio said Thursday. Universal already had the release date on hold for an untitled DWA movie.Late September is a prime time to launch family friendly animated pics, going back to Open Seas on and Cloudy With a Chance of Meatballs, among others, including DreamWorks Animation‘s own Abominable.In the new film, directed by Ryan Crego, Gabby (Laila Lockhart Kraner, reprising her role from the series) heads out on a road trip with her Grandma Gigi to the urban wonderland of Cat Francisco. But when Gabby’s dollhouse, her most prized possession, ends up in the hands of an eccentric cat lady named Vera, Gabby sets off on an adventure through the real world to get the Gabby Cats back together and save the dollhouse before it’s too late. (via Deadline)
Source: Marvel | Categories: Uncanny X-Men | Comments (0) | E-mail Article | Add a CommentMutants may no longer have a homeland—but they’ll always have a home! Announced last month and launching in August, celebrated writer Gail Simone and superstar artist David Marquez’s UNCANNY X-MEN will be the second of three flagship X-titles set in the upcoming From the Ashes era. Today, fans can see the reveal of the main cover and discover more about the series! With Professor X gone and his school transformed into a nightmare reflection of itself called Graymalkin Prison, the series sees Rogue step up to be the pillar of Xavier’s dream alongside Wolverine, Gambit, Nightcrawler, and Jubilee. From their new base of operations in New Orleans, the Uncanny X-Men are back to being the outlaw heroes the world hates and fears—and the light in the darkness for mutants everywhere! Mutantkind made a big statement with Krakoa, and now, life is harder for them than ever before, but Rogue’s X-Men will be there to welcome mutants to their new found family. A core group of essential X-Men rise From the Ashes to face a world without a home – and without Professor X! All bonds among the mutant community seem to be slipping away, and Rogue reluctantly finds herself as the hero designated to bring them back together...but a fearless, malignant power is out there hunting mutants, and it has a terrible secret that may destroy what remains of the X-Men. “Most of my time lately has been spent trying to keep my brain from exploding right out of my skull from this book,” Simone shared. “It's either the fun of all my favorite mutants acting in surprising and wonderful ways, the impossibly brilliant work of the art team, or the thrilling collaboration with all the other writers, but somehow every DAY is just filled with some kind of manic joy. Ever since I took the book, I've been scribbling notes and plots and bits of dialogue day and night. I feel like a kid at a carnival. Who DOESN'T want to write Rogue and Jubilee and Gambit all the rest?” "Uncanny X-Men is the book that made me fall in love with comics,” Marquez said. “It's been a dream come true getting to work with Gail, Matt [Wilson], and the whole Marvel editorial crew under Tom to put together this story: a badass, heartfelt, action-packed, character driven X-Men mystery. I hope readers have at least half as much fun reading it as we have had making it." “I absolutely have to take a moment to praise David Marquez,” Simone added. “Not only is this going to be one of the best-looking books on the stands, he's simply an idea MACHINE and he makes every single page better than I wrote it. Anyway, come join us, we're having an X adventure and you're all INVITED!” With three flagship titles and a host of additional satellite series, the upcoming From the Ashes era will present fans with a wide range of different approaches to the X-Men’s mission. Jed MacKay and Ryan Stegman’s X-MEN are ready to do whatever it takes to secure mutantkind’s future, even if it means revolution. Eve L. Ewing and Carmen Carnero’s EXCEPTIONAL X-MEN train and prepare mutants to survive the dangers they’ll inevitably face. Meanwhile, Simone and Marquez’s UNCANNY X-MEN are here to save everyone, making the world a brighter place for mutant and human alike! Check out Marquez’s main cover below! 
Source: Skybound | Categories: Skybound | Comments (0) | E-mail Article | Add a CommentToday Skybound and Image Comics, in partnership with Universal Products & Experiences, revealed an impressive slate of variant covers and a first look at interior pages from Universal Monsters: Creature from The Black Lagoon Lives! #2, the next issue of the new four-issue limited comic book series from acclaimed writers Dan Watters (Home Sick Pilots, Lucifer) and Ram V (The Many Deaths of Laila Starr, Batman: Detective Comics), along with artist Matthew Roberts (Manifest Destiny), and colorist Dave Stewart (Ultramega, Hellboy). The next installment of the new Universal Monsters phenomenon hits comic book shops May 22, 2024. In addition to the main cover by Matthew Roberts and Dave Stewart, Universal Monsters: Creature from the Black Lagoon Lives! #2 boasts a variant cover lineup from top artists including both an open to order cover and “classic horror” black and white 1:25 incentive variant by Francis Manapul, the continuation of a four-part 1:10 incentive connecting cover series by DANI, a 1:50 incentive variant by Stephanie Pepper, and a 1:75 incentive variant by Christian Ward. Kate Marsden has miraculously survived – but just who, or what, is the creature that she saw? As Doctor Thompson and Kate work to discover the truth, they come face to face with an elusive serial killer...who’s also the man that Kate has dedicated her life to destroying. Picking up where the original films left off, this Universal Monsters tale takes readers back to the mysterious Amazonian lagoon where terror lurks beneath its murky waters. This series is perfect for new readers and longtime fans alike. Universal Monsters: Creature from the Black Lagoon Lives! is the second Universal Monsters series launch from Skybound, following James Tynion IV and Martin Simmonds’ Dracula, and will be followed by Universal Monsters: Frankenstein by writer/artist Michael Walsh coming in August and more new limited series pairing the biggest names in comics with pop culture’s most iconic monsters. Universal Monsters: Creature from the Black Lagoon Lives! #2 (of 4) (Lunar Codes Below SRP: $4.99) will be available at comic book shops and digital platforms including Amazon Kindle, Apple Books, comiXology, and Google Play on Wednesday, May 22, 2024. The full list of covers is below: Universal Monsters: Creature from the Black Lagoon Lives! #2 Cover A by Matthew Roberts & Dave Stewart (Lunar Code 0324IM295) Universal Monsters: Creature from the Black Lagoon Lives! #2 Cover B by Francis Manapul (Lunar Code 0324IM296) Universal Monsters: Creature from the Black Lagoon Lives! #2 Cover C (1:10 Connecting Copy Incentive) by DANI (Lunar Code 0324IM297) Universal Monsters: Creature from the Black Lagoon Lives! #2 Cover D (1:25 “Classic Horror” B&W Copy Incentive) by Francis Manapul (Lunar Code 0324IM298) Universal Monsters: Creature from the Black Lagoon Lives! #2 Cover E (1:50 Copy Incentive) by Stephanie Pepper (Lunar Code 0324IM299) Universal Monsters: Creature from the Black Lagoon Lives! #2 Cover F (1:75 Copy Incentive) by Christian Ward (Lunar Code 0324IM300)         
Source: Hollywood Reporter | Categories: MIsc | Comments (0) | E-mail Article | Add a Comment A new Harry Potter audiobook series is coming to Audible. As part of a partnership with Pottermore Publishing and Audible, the two will release seven new English language audiobooks scheduled for late 2025. The audiobooks will feature a full range of character voices, with the Audible CEO citing more than 100 actors, Dolby Atmos sound design and new scoring. Each book will be released sequentially and globally. This is in addition to the original single-voice audiobook recordings by Jim Dale and Stephen Fry, which were first released in 1999 and have reached 1.4 billion global listening hours after launching on Audible in 2015.The Harry Potter audiobooks on Audible also include The Tales of Beedle the Bard performed by Jude Law , Harry Potter: A History of Magic performed by Natalie Dormer , Fantastic Beasts and Where to Find Them performed by Eddie Redmayne, and Quidditch Through the Ages performed by Andrew Lincoln. (via The Hollywood Reporter)
Source: Image Comics | Categories: Image | Comments (0) | E-mail Article | Add a CommentThe feast-for-the-eyes, bestselling comic book series Seven to Eternity—by fan-favorite and New York Times bestselling team of Rick Remender ( Napalm Lullaby, Deadly Class, LOW), Jerome Opeña ( The Avengers, The Punisher), James Harren ( Ultramega, Rumble), and colorist Matt Hollingsworth ( Love Everlasting, Wytches)—will be collected in its entirety into one complete compendium paperback edition this September and join the Giant Generator line at Image Comics. The Seven to Eternity Compendium will include Seven to Eternity issues #1-17 of the series with a brand new cover by Opeña and Hollingsworth. The God of Whispers has spread an omnipresent paranoia to every corner of the kingdom of Zhal; his spies hide in every hall spreading mistrust and fear. Adam Osidis, a dying knight from a disgraced house, must choose between joining a hopeless band of magic users in their desperate bid to free their world of the evil God, or accepting his promise to give Adam everything his heart desires. “I couldn’t be prouder of a project than Seven to Eternity. The sum of my relationship with Jerome, which began 20 years ago at Image on Strange Girl, you’ll find no better comic with our names on it. We’re very excited to put the entire tale in one compendium to allow a whole new audience to enjoy the entire journey,” said Remender. Opeña added: " Seven to Eternity represents seven years of my life and is one of the projects I’ve worked on that I am most proud of. I’m extremely thankful to everyone that has supported the book over the years and hopeful that new readers will be able to enjoy the book with this new Compendium Collection." Seven to Eternity Compendium paperback (ISBN: 9781534363861) will be available at local comic book shops on Wednesday, September 11 and independent bookstores, Amazon, Barnes & Noble, Books-a-Million, Indigo, and Waterstones on Tuesday, September 24. Seven to Eternity is also available in trade paperback and hardcover editions: Vol. 1 trade paperback - ISBN: 9781534300613 Vol. 2 trade paperback - ISBN: 9781534303218 Vol. 3 trade paperback - ISBN: 9781534306981 Vol. 4 trade paperback - ISBN: 9781534312425 Book One deluxe hardcover - ISBN: 9781534319318 Seven to Eternity will also remain available across many digital platforms, including Amazon Kindle, Apple Books, and Google Play.    
Source: Deadline | Categories: MIsc | Comments (0) | E-mail Article | Add a Comment Briarcliff Entertainment has acquired domestic rights to Valiant One, a military action thriller starring Chase Stokes ( Outer Banks) and Lana Condor ( To All the Boys franchise), slating it for release in theaters nationwide on January 24, 2025. Check out a first-look still above. Marking the feature directorial debut of producer Steve Barnett, the film watches as a routine mission goes awry when a U.S. army helicopter crashes deep within North Korean territory. Now, a team of non-combat tech specialists, led by Captain Edward Brockman (Stokes), must navigate the hostile terrain and fend off North Korean forces as they desperately race to escort a civilian tech specialist across the treacherous Demilitarized Zone. A Monarch Media production written by Barnett and Eric Tipton, with counsel from former members of the U.S. Military, CIA and Department of Defense, Valiant One also stars Desmin Borges ( Only Murders in the Building) and Callan Mulvey ( The Grey Man). The film is produced by Bernie Goldmann and Alan Powell, and executive produced by Vicky Patel. Stokes served as co-executive producer. (via Deadline)
Source: Marvel | Categories: Wolverine | Comments (0) | E-mail Article | Add a CommentMarking the milestone 50th issue of Benjamin Percy’s run and hitting stands during Wolverine’s 50th anniversary year, next month’s WOLVERINE #50 will be one of the character’s most pivotal issues ever! In anticipation of this landmark issue, fans can check out never-before-seen artwork from each story now. Packed with bonus material, the giant-size issue presents the explosive final chapter of Percy, Victor LaValle, Geoff Shaw, and Cory Smith’s 10-part epic “Sabretooth War” storyline plus a story co-starring Jubilee from legendary Wolverine scribe Larry Hama and a special sneak peek at Wolverine’s upcoming adventures in the From the Ashes era! Having masterfully guided Logan over the last few years, Benjamin Percy will also bid farewell to the character in WOLVERINE #50. After closing out Wolverine’s Krakoan age adventures in the main story, Percy will team up with artist Javi Fernández in a special send-off that explores Wolverine’s incredible legacy. On closing out his run, Percy shared, “Fifty issues of Wolverine is a hell of a lot to be thankful for. But the math gets hairier when I do some accounting. I've actually been writing Logan -- in the audio drama, in X-Force and Wolverine and all the crossovers and spin-off events -- for seven years, twenty episodes, and a hundred thirty-ish issues. That’s a whole lot of SNIKT. That’s a big part of my life and career, and I feel nothing but gratitude for the experience. I can’t believe I’ve been lucky enough to serve as the custodian of a character who is so important to me. Thanks, bubs, for joining the mayhem.” The Sabretooth War concludes in the way it began - a violent, bloody battle - but WHO will be left standing? Preorder WOLVERINE #50 at your local comic shop today!       
Source: Deadline | Categories: MIsc | Comments (0) | E-mail Article | Add a Comment Jeffery Self ( Search Party, The Horror of Dolores Roach) and Gabrielle Ryan ( Power Book IV: Force, Bonding) have boarded Christopher Landon’s coming fast-paced thriller Drop from Blumhouse, Platinum Dunes and Universal Pictures. The duo join the previously announced cast including Meghann Fahy and Brandon Sklenar. The film’s logline is being kept under wraps at this time. Drop is written by Jillian Jacobs & Chris Roach. Michael Bay, Jason Blum, Brad Fuller and Cameron Fuller are producers. Ron Lynch and Sam Lerner are EPs. Drop is a Platinum Dunes and Blumhouse production for Universal. (via Deadline)
Source: Skybound | Categories: Skybound | Comments (0) | E-mail Article | Add a CommentToday Skybound Comet and Image Comics revealed all-new interior pages from Sea Serpent’s Heir Book Three: Queen of Mercy, the third and final installment of the high seas fantasy trilogy about growing up and changing your fate from acclaimed creators Mairghread Scott (Netflix’s Dragon Age: Absolution, Marvel’s Guardians of the Galaxy) and Pablo Tunica (Teenage Mutant Ninja Turtles). Sea Serpent’s Heir Book Three concludes the fantasy Young Adult trilogy from Skybound Comet, the original graphic novel imprint aimed at Young Adult (Ages 12+) and Middle Grade (Ages 8-12) audiences, but sure to captivate readers of all ages. In the final chapter of the Sea Serpent’s Heir Trilogy, the hunter becomes the hunted after Aella’s aunt Kiana steals the power of Xir for themselves! Can Aella stop the person who taught her everything she knows about magic from destroying the world? Sea Serpent’s Heir Book One: Pirate’s Daughter (Lunar Code 0623IM958, ISBN 978-1-5343-2129-8 I SRP: $14.99) and Sea Serpent’s Heir Book Two: Black Wave ( Lunar Code 0723IM381, ISBN 978-1-5343-9993-8 I SRP: $14.99) are available everywhere books are sold now. The Skybound Comet slate also includes the upcoming release of Ava's Demon Book Two: Aftermath (Lunar Code 0324IM187, ISBN: 978-1-5343-9852-8 SRP: $17.99), the next chapter of the groundbreaking YA graphic novel by acclaimed author Michelle Fus, available for the first time in the book market in May 2024 along with the July release of Super Dinosaur Compendium One (ISBN: 978-1-5343-2775-7 I MSRP: $34.99) from Robert Kirkman (Invincible, The Walking Dead) and artist Jason Howard (Batman, The Flash). Clementine Book Two (Lunar Code 0923IM926, ISBN: 978-1-5343-2519-7 SRP: $14.99) by acclaimed writer/artist Tillie Walden (Spinning, On a Sunbeam) is available everywhere books are sold now. Sea Serpent’s Heir Book Three: Queen of Mercy (ISBN: 978-1-5343-3209-6 SRP $14.99) will be available at comic book shops on Wednesday September 4, 2024, and at booksellers, along with digital platforms including Amazon Kindle, Apple Books, comiXology, and Google Play Tuesday, September 17, 2024.           
Source: Image Comics | Categories: Image | Comments (0) | E-mail Article | Add a CommentThe New York Times bestselling, multiple award winning writer Chip Zdarsky ( Newburn, Batman), fan-favorite artist Rachael Stott ( Fantastic Four, Dr. Who) and stellar colorist Eren Angiolini ( Justice League: Last Ride) bring fans of the Eisner Award winning series Public Domain its comic-book-within-the-comic-book in the upcoming new title, The Domain. This five-issue miniseries is the in-universe comic book at the center of the Public Domain series and will launch this July from Image Comics. In the pages of Public Domain, Syd Dallas and the team at Dallas Comics reimagine their classic character The Domain for a new audience, and… this is that comic! “When I realized that my characters from Public Domain would be creating a new superhero comic, I just knew I had to actually make that comic! It was an opportunity to create a fun, classic superhero comic while also enhancing the narrative of Public Domain and those characters’ journeys," said Zdarsky. "But to do it right I needed a great art team who could pull off a kinetic, explosive superhero style, and Rachael Stott and Eren Angiolini are the perfect fit for this story. The only problem has been that fact that they’re too good and have, in fact, made Public Domain look bad by comparison. I did this to myself!" Stott added: "Every single time I get to work with Chip Zdarsky I feel like the luckiest artist in comics—we've worked in his sexy Sex Criminals universe on the Sexual Gary Annual, and then an equally sexy Spider-Man one shot, but now we get to create a world and characters together for Domain. Every (sexy) page has been a joy and delight to draw. And sexy. Then add Eren Angiolini into that equation and you have a dream project. They are one of the most talented colourists working today, and I'm so lucky to get to collaborate with them again. I love being a part of this team, and we've made a really cool, beautiful book together and I'm so proud excited for people to read it. Chip, did I say sexy enough? How many times did you say it would take to get the book on Oprah's book club?" In the upcoming The Domain, three best friends discover a crashed UFO and uncover technology that imbues them with incredible abilities. But there’s a catch: only one of them can use the powers at a time! Can their friendship survive the power’s temptation? The Domain promises a classic superhero story for those coming in fresh, and a fun meta story for readers of Public Domain. "Do you know what is better than working with Chip Zdarsky on Justice League and better than working with Rachael Stott on Doctor Who? Working with BOTH Chip AND Rachael on a fun, cosmic adventure filled with badass characters and handsome aliens," said Angiolini. "I had a wonderful time colouring this series and I couldn't be prouder of the result! Also, they let me go wild with illustrating the TTRPG variant covers! Pretty cool, right?!”
The Domain #1 will be available at comic book shops on Wednesday, July 10:
Cover A by Stott - Lunar Code 0524IM229
Cover B by Angiolini - Lunar Code 0524IM230
The Domain will also be available across many digital platforms, including Amazon Kindle, Apple Books, and Google Play.
Public Domain, Vol. 1 trade paperback (ISBN: 9781534324572) is available now at local comic book shops and independent bookstores, Amazon, Barnes & Noble, Books-a-Million, Indigo, and Waterstones.
Public Domain #6 (Lunar Code 0524IM245) will be available at comic book shops on Wednesday, July 3.
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